Flying in my gondola

  Left – Lana Jones. Photo – Lynette Wills. Cover – Eloise Fryer and Ben Davis. Photo – Jeff Busby Australian Ballet’s  Cinderella  has been beautifully revamped by choreographer  Alexei Ratmansky . Formerly artistic director of the renown Bolshoi Ballet, and currently the artist-in-residence with the American Ballet Theatre in New York,  Ratmansky  is white hot in the ballet world and very much in demand, because of his skill in merging classical technique with a contemporary sensibility. The beloved fairytale is moulded into a different type of happily-ever-after, which although does feature a fairy godmother ( Lynette Wills ) – albeit slightly resembling Mary Poppins with an elongated nose – it does not incorporate a carriage which is fashioned from a pumpkin, nor do any mice show off their sartorial talents, or morph into hoses. What  Ratmansky’s  Cinderella  does have, are two silly step sisters and a ruthless but equally comical step ...

Left – Teddy Tahu Rhodes and Emma Matthews. Cover – Teddy Tahu Rhodes, Taryn Fiebig, Richard Anderson & Shane Lowrencev. Photos – Jeff Busby. Mozart’s  infamous  Don Giovanni  and considered by many to be the greatest opera ever written, is based on the legendary fictional lover  Don Juan , not easily resisted by any woman, no matter her social status or nationality, and whom they loved and despised in the same breath. Opera Australia’s  highly anticipated  Don Giovanni , directed by  David McVicar , focuses on the dark side of the sex addicted nobleman, who cannot control his appetite for conquering every and any woman who crosses his path, regardless of her age or shape. Much like some present day players,  Don Giovanni , keeps a tally of his trophies, with numbers in the thousands, from all over Europe and Asia Minor, and with numbers so impressive, he could easily be dubbed the Wilt Chamberlain of the 18th century. Teddy Tahu Rhodes ...

Opera Australia  has opened its Melbourne season with one of the company’s best-loved productions,  Giacomo Puccini’s  Madama Butterfly –  in this case the revival of Moffatt Oxenbould’s 1997 production of the famed tragic story of  Cio-Cio-San  (cio translates to butterfly) and her American husband. Soprano  Hiromi Omura  dominated the night, and was superb in her role of  Butterfly . Besides possessing a beautiful and silken voice,  Omura  also successfully projects a naiveté and demureness of a young girl in love, as well as that of a woman consumed by total despair at the understanding that her husband intends not to return to her. Tenor  James Egglestone  portrays her husband,  Pinkerton , as lustful, selfish and even arrogant, but he also conveys a somewhat regretful concern for  Butterfly  as well. Just when you thought you could hate him, you almost feel sorry for him. Mezzo-soprano,  Sian...

Left – Claudio Sgura and Martina Serafin. Cover – Claudio Sgura and Diego Torre. Photos –  Jeff Busby Giacomo Puccini’s  Tosca , based on the 1887 French-language dramatic play by Victorien Sardou, was originally set in the summer of 1800, in Rome, when the Kingdom of Naples was threatened by Napoleon’s invasion of Italy; a very turbulent and violent time. Opera Australia’s  latest rendition of  Tosca , is directed by one of Australia’s  most acclaimed theatre personalities, John Bell , who has set the opera, which some critics have referred to as ‘over-familiar’ even ‘old’, in an equally dangerous and brutal period in Italy, the German occupations of Rome of 1943. Martina Serafin  embodying  Tosca , and  Diego Torre  as her artist lover,  Cavaradossi , radiate a special chemistry, which is laden by jealousy as well as great affection. Their performance was thoroughly moving. “Vissi d’arte, vissi d’amore,” (I lived for art; I live...

The below review was originally published on Australian Stage and can be read by clicking here . Written by Gordana Andjelic-Davila    Friday, 30 May 2014 08:39 Melbourne has the privilege of being one of the stops on internationally acclaimed dance troupe Pilobus’ world tour, performing its groundbreaking new show Shadowland . Having featured on the 79th Annual Academy awards, and performing for Oprah Winfrey, Shadowland , simply put, is a fusion of shadow theatre, dance and acrobatics – but in actuality it is so much more. Using screens of all sizes to project onto them seemingly impossible body morphing, where dancers magically transform into exotic creatures and beautiful imagery, to convey a fantastic tale, Shadowland brings to life the story of a young girl who is at life’s cross road. While she reluctantly prepares for bed, she wishes that her parents’ perception of her would change. Convinced that she is more mat...

Written by  Gordana Andjelic-Davila    Saturday, 24 May 2014 08:47 Left – The Topp Twins. Photo – Sally Tagg Not familiar with the  Topp Twins ? Neither was I a couple of years ago, until I watched their documentary film,  The Topp Twins: Untouchable Girls . I made myself a promise that, the next time they were in town, I would move heavens and earth to go see them live. Heavens and earth moved, I had my wish fulfilled. New Zealand’s national treasures, folk and country music singing activists and identical twin sisters,  Jools  and Lynda Topp  have been performing together for over 30 years. Born in the country, tending to farm animals and leading a true farmer’s life, the sisters started out as country singers, and eventually, due to their incredible sense of humour, they evolved into comedy. In the late 1990s, the  Topp Twins  had their own variety TV show, which showcased a cast of New Zealand stereotype characters among them, th...